Blue wooden board on white plastic stool
 Pigment print, framed with museum glass
 8 x 12 cm in 28 x 35 cm
 2020

 Orange umbrella, green sunbed.
 Pigment print, framed with museum glass
 2 x (80 x 120 cm)
 2015


 Taken from opposite points of view, 2 images of the same space, 
 without prior intention, forming a third one that only exists 
 for the viewer.

 Et voir la mer une fois encore
 Pigment print, framed with museum glass
 8 x 12 cm in 28 x 35 cm
 2020

 Regarder la mer. Et se faire cambrioler.
 Pigment print, framed with museum glass
 12 x 18 cm in 28 x 35 cm
 2015


 Our relationship with places is deeply influenced by the memories 
 and experiences associated with them. This image explores the 
 relationship between memories and places. And the possibility 
 to replace bad memories attached to a place with new positive 
 experiences in order to restore an emotional balance.

 Broken (window) self portrait
 Pigment print, framed with museum glass
 8 x 12 cm in 28 x 35 cm
 2019

 Dirty snow structure melting
 Pigment print, framed with museum glass
 8 x 12 cm in 28 x 35 cm
 2024

 Plaster column in rolling bag
 Pigment print, framed with museum glass
 80 x 120 cm
 2020

 Brick wall
 Pigment print, framed with museum glass
 80 x 120 cm
 2015

 Fluorescent light tube in the sand
 
Pigment print, framed with museum glass
 80 x 120 cm
 2014

 Duct tape frame
 
Pigment print, framed with museum glass
 80 x 120 cm
 2019

 Beach and bruise
 Pigment print, mounted on aluminium and wood
 40 x 60 cm
 2020

 Bathroom jungle
 Pigment print, mounted on aluminium and wood
 40 x 60 cm
 2015

 The blinking horse - Lusitanien homozygote
 Pigment print, mounted on aluminium and wood
 40 x 60 cm
 2016

 Smashed window
 Pigment print, mounted on aluminium and wood
 40 x 60 cm
 2020

 Balconies and Palm Trees
 Pigment print, mounted on aluminium and wood
 40 x 60 cm
 2017

 Teen rituals
 Pigment print, mounted on aluminium and wood
 40 x 60 cm
 2016

 Poème en boule
 Lettraset ball poem and label
 6 x 22 cm
 2023


 In a previous exhibition, I pasted a poem on the wall. 
 At the end of the exhibition, I picked up this poem, 
 letter by letter.
 I like to work with the written word and without 
 knowing how, I wanted to use this poem recurrently 
 in other exhibitions. The same words, in different 
 forms, as a kind of link.
 This time, I crumpled the recovered letters into 
 a ball, making the poem unreadable.
 And for information, I printed it on a linked label.
 I called it: “Poème en boule” which means “Ball poem”.

 Giant blue tree in deep orange sky
 Pigment print, mounted on wood
 8 x 12
 2020

 Teloni a mare I, II, III, IV
 Pigment print, framed with museum glass
 4 x (80 x 120 cm)
 2022


 The reflecting sun on a blue tarp covering a construction 
 container referring to a landscape of waves with an invented
 name recalling those of the Italian beaches in the summer.
 “Teloni a mare” literally means “Tarp at sea”.
 These photographs were taken close to my home, during a daily
 walk part of a long revalidation process. The shimmering of 
 a late afternoon sun on the textured folds of this blue tarp 
 covering a construction container immediately made me think of
 the setting sun on the sea. I was instantly transported. 
 Memories collided, those of an Italian beach at sunset, then 
 « Casanova », Fellini’s movie where the sea is a tarp that is
 waved as special effects ... At times when my personal horizon
 is shrinking due to health issues, these images allow me to
 mentally escape and experience the sensations of a sea that 
 I can no longer physically approach. 
 Like a « madeleine de proust », this composition of multiple
 images taken without prior intention, does not seek to imitate
 the sea but give the sensation of it, evoking memories ... 
 to each one his own ...

 Parco Nazionale delle Grandi Reti
 Pigment print, framed with museum glass
 9 x (80 x 120 cm)
 2022


 A net covering a construction container full of rubble referring
 to an aerial view of a vast mountain landscape with an invented
 name recalling those of an Italian national parc.
 Like a « madeleine de proust », this composition of multiple
 images taken without prior intention, does not seek to imitate
 the mountain but give the sensation of it, evoking memories ... 
 to each one his own ...

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